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1. START OFF / BACKGROUND / Could you give us an overview of your background?
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2. START OFF / DEFINITION / How would you define the interactive documentary?
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3. START OFF / DEFINITION / What are the differentiating characteristics between an interactive documentary and a linear one?
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4. LEARN / EVOLUTION / Do you believe that the interactive documentary is a natural evolution of the linear documentary?
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5. LEARN / EVOLUTION / This form derives from the convergence of digital media and documentary genre, or do you believe there are more factors/actors involved?
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6. LEARN / EVOLUTION / Why do you think there has been an explosion of this form during the last years?
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7. LEARN / INTERACTIVITY / How would you define interactivity?
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8. LEARN / INTERACTIVITY / How would you describe the word collaboration in these projects?
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9. LISTEN / TECHNOLOGY / What is the technological future of these projects?
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10. LISTEN / TECHNOLOGY / What do you think of mobile technologies?
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11. LISTEN / TECHNOLOGY / Do you consider the interactive television as an important support for the interactive documentary in the near future?
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12. LISTEN / RELATED TOPICS / What do you think about the meeting between the strategies of the game and the film?
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13. LISTEN / RELATED TOPICS / Do you think activism is an ideal thematic for this kind of productions?
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14. LISTEN / RELATED TOPICS / Do you think that there is some relationship between the interactive documentary and the field of education?
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15. PRODUCE / LOGICS CHANGE / Do you think there is a change in the logic of production, distribution and exhibition?
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16. PRODUCE / LOGICS CHANGE / Do you believe that the role of the author is threatened in this new format?
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18. PRODUCE / BUSINESS MODEL / Which could be the business model behind the interactive documentary?
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19. PRODUCE / COUNTRIES AND PROJECTS / Why Canada and France are configured as very active countries in relation to the production of new media?
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20. PRODUCE / COUNTRIES AND PROJECTS / Which are your favourite projects? Which projects have you produced?
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